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Slayage 8.1 [29], Spring 2010
Edited by David Lavery and Rhonda V. Wilcox


Renee St. Louis and Miriam Riggs (U California San Diego)
  • "'And Yet': The Limits of Buffy Feminism"

Alyson Buckman (California State University, Sacramento)
  • "'Go ahead! Run away! Say it was Horrible': Dr. Horrible's Sing-Along Blog as Resistant Text"

A. Abby Knoblauch (Kansas State U)
  • "From Burke to Buffy and Back Again: Intersections of Rhetoric, Magic, and Identification in Buffy the Vampire Slayer"

Jesse James Stommel (U of Colorado)
  • "I'm Not a Dead Body; I Just Play One on TV: Buffy the Vampire Slayer and the Performativity of the Corpse"

Kirsten Stevens (Monash U, Australia)
  • "Meet the Cullens: Family, Romance, and Female Agency in Buffy the Vampire Slayer and Twilight"



Slayage 8.2-3 [30-31], Summer/Fall 2010
Special Issue, Fantasy Is Not Their Purpose: Joss Whedon's Dollhouse
Guest Edited by Cynthea Masson and Rhonda V. Wilcox


Cynthea Masson (Vancouver Island University) and Rhonda V. Wilcox (Gordon College) 
  • "'Fantasy . . . Is Their Business, But That Is Not Their Purpose': Introduction to the Slayage Special Issue on Dollhouse"

Cynthea Masson (Vancouver Island University)
  • "Who Painted the Lion?—A Gloss on Dollhouse's 'Belle Chose'"

K. Dale Koontz (Cleveland Community College)
  • "Czech Mate: Whedon, Čapek, and the Foundations of the Dollhouse"

Hugh H. Davis (St. Mary's School)
  • "'The Drama Is In Us': Pirandellian Echoes in Dollhouse"

Renee St. Louis and Miriam Riggs (U California San Diego)
  • "'A Painful, Bleeding Sleep': Sleeping Beauty in the Dollhouse"

Bronwen Calvert (Sunderland U, The Open U, UK)
  • "Mind, Body, Imprint: Cyberpunk Echoes in the Dollhouse"

Tom Connelly (Independent Scholar) and Shelley S. Rees (U of Science and Arts of Oklahoma)
  • "Alienation and the Dialectics of History in Joss Whedon's Dollhouse"

Julie L. Hawk (Georgia State University)
  • "Hacking the Read-Only File: Collaborative Narrative as Ontological Construction in Dollhouse"

Sherry Ginn (Rowan-Carrabus Community College): 
  • "Memory, Mind, and Mayhem: Neurological Tampering and Manipulation in Dollhouse"

Madeline Muntersbjorn (U of Toledo)
  • "Disgust, Difference, and Displacement in the Dollhouse"

Rhonda V. Wilcox (Gordon College)
  • "Echoes of Complicity: Reflexivity and Identity in Joss Whedon's Dollhouse"

Lisa K. Perdigao (Florida Institute of Technology)
  • "'This One's Broken': Rebuilding Whedonbots and Reprogramming the Whedonverse"



Slayage 8.4 [32], Winter 2011
Edited by David Lavery and Rhonda V. Wilcox


Catherine Coker (Texas A & M University)
  • "That Girl: Bella, Buffy, and the Feminist Ethics of Choice in Twilight and Buffy the Vampire Slayer"

Rob Cover (University of Adelaide)
  • "Bliss and Time: Death, Drugs, and Posthumanism in Buffy the Vampire Slayer"

Len Geller (Wells College)
  • "'Normal Again' and 'The Harvest': The Subversion and Triumph of Realism in Buffy"

Lisa K. Perdigao (Florida Institute of Technology)
  • "'I hear it's best to play along': The Poststructuralist Turn in Buffy the Vampire Slayer"

Rhonda Wilcox and David Lavery 
  • "Slayage at Ten: The Danger of Birthdays"
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